![]() There were other more valuable works in the museum that weren’t taken, and two taken items, a finial and a Chinese bronze vase, have always stood out as oddities. Many of the paintings were brutally cut from their frames. 1658–60), as well as one work from the first floor, Manet’s Chez Tortoni (1878–80). Courtesy NetflixĪbout 45 minutes later those two men would enter the Isabella Stewart Gardner Museum, get the two guards to move away from the panic button, tie them up in the basement, and then go about taking 12 works from the second floor, including Rembrandt’s only seascape The Storm on the Sea of Galilee (1633), Rembrandt’s A Lady and Gentleman in Black (1633), and Vermeer’s The Concert (ca. Patrick’s Day Parade the following day, “it was a good time to commit a crime,” as one interviewee says in the series’ first minutes.Ī production still of This Is a Robbery: The World’s Biggest Art Heist, of a reenactment showing the thieves entering the museum. With all the revelry going on and the St. on Palace Road, the street directly behind the Gardner museum and where the museum’s employee entrance is. All of this takes place around 12:45 a.m. Two young people walk by a parked car with two men dressed in police uniforms. ![]() The series opens with a reenactment of the night in question. He also eschews any celebrity interviews, instead opting for experts with deep connections to the heist, from former security staff and museum leadership to reporters, federal investigators, prosecutors, defense attorneys of suspects, and even a noted art thief and the former press secretary of the IRA. Throughout, Barnicle pans over high-resolution images of the stolen art, offering the best glimpse of the works that anyone who didn’t go the Gardner before the theft could ever hope to get. We get a brief history of who Isabella Stewart Gardner was, how she came to build a Renaissance Venetian palace in a swamp, and why she left her world-class collection there in the form of a museum. This Is a Robbery is a handsome, well-produced, and concise documentary series that takes viewers through how the heist panned out. (This has been a common style for other Netflix-produced series, most notably the relaunched Unsolved Mysteries.) Though This Is a Robbery offers few new insights into a case that has been dissected ad nauseam by authorities, reporters, and everyday people, it seems to function mainly as a vehicle to bring renewed international attention to the lost works, with the hope of their recovery. The theft and the search for the 13 stolen works that followed are now getting the Netflix true crime docuseries treatment with This Is a Robbery: The World’s Biggest Art Heist, directed by Colin Barnicle. Artists and Curators Respond to War in Ukraine, Investigators Pursue New Lead in Gardner Heist, and More: Morning Links for February 28, 2022
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